These days, I am going through a major Kate Bush kick, inspired by the amazing new Bat for Lashes album, Two Suns. I downloaded that shit on a whim and before I completed my first listen, Natasha Khan had me hypnotized. She really is a siren, and but she is not the first of her kind. Kate Bush's influence on Two Suns is unmistakable, though not to a disrespectful degree (frankly, Two Suns is the album I wish 2005's grown-and-unsexy Aerial turned out to be). Kahn embodies the same arms-length intimacy as Kate by using a singer-songwriter aesthetic to create characters rather than confess. Instead of just a girl with a piano, we're hearing a girl with a piano along with all the voices her head can conjure. And that's not even mentioning the production similarities (a few Two Suns tracks use the same sort of post-new wave primitive drum programming that inhabits the first half of Hounds of Love).
Khan's more tempered than the fearlessly shrill Kate, though, and, to my untrained ear, her songwriting isn't as sophisticated. But that's for the best as I'm not sure if we could handle two Kate Bushes -- the world's head might explode. While Khan comes off cool even when wailing about her wickedness inside, it's never taken more than a literary reference or the image of a stringed instrument to have Kate wailing, balls-out. And if she didn't have balls that day, she'd probably hire men to dress as them so that she could incorporate them in an interpretive dance of the testes.
And dance!
I've spent the past few weeks of listening to Kate's music and howling at her videos via YouTube (you haven't lived till you've watched her talk about her vegetarianism or explain her positively batty "Sat in Your Lap" video to a roomful of bored pre-pubescent children). During this time, I finally realized something about Kate, whom I've loved since high school: she was made for me. No other entertainer I've invested myself in has ever struck the balance between awe-inspiring technical proficiency and utter nonsense so well. She has the paradoxical effect of a retarded genius. I've repeatedly written about my obsession with ambiguous intent in pop culture. There's nothing more satisfying to me than something that doesn't announce itself as intentionally or accidentally hilarious, something that slips through that crack of decidedness and tickles my brain as it dissipates into multiple receptors. Take Kate's dancing, alone, which while clearly thought-out and rooted in technique, nonetheless feels absurdly unhinged...

(Warning! Warning! So many more gifs follow. We're talking hours worth of madness. Be prepared to be seduced or, at least, derisively amused!)